Course Introduction


The Eras of Classical Music

All eras of music are transitioned into and overlap with the era that immediately follows it.

   1400 - 1600   -   Renaissance
    1600 - 1750    -  Baroque
   1750 - 1820    -  Classical (in music -   Neoclassical in visual arts, architecture, and literature)
   1820 - 1910?  -  Romantic

Baroque art and music was romantic in nature (i.e. highly emotional, dramatic, and complex).
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      The Baroque era (1600 - 1750) defined many of our modern concepts of music as it defined 
      many of our modern concepts of science and politics.  Many ways in which we write, play,
      understand, experience, and appreciate music today came about in the Baroque era.  

      Modern concepts of tonality were created in the Baroque era.  Major and minor scales and 
      keys replaced older forms of musical modes.  The idea of chord progressions was developed 
      (perhaps to an extreme.  As the Late Baroque era waned starting c. 1730, the next generation 
      of composers simplified the progressions).  

      Vocal music, first religious and then secular, dominated the Middle Ages and the Renaissance. 
      While vocal music was still very important in the Baroque era (especially in the new genre of 
      opera), instrumental music gained popularity with the rise of the violin and the first orchestral 
      music (the modern violin came into being only about 70 years before the Baroque era began).  
      Although the symphony was not created until the Classical era (c. 1730 - 1820), Baroque era 
      developments in orchestra music set the stage for them.  Also, organ and keyboard 
      (meaning harpsichord and clavichord in this era) composition advanced rapidly throughout 
      the Baroque era.  The rise of the instrumental virtuoso began in the Baroque era.

      For the first time in history, commoners had public access to artistic music (before that, the 
      only place commoners heard serious music was in church); only royalty and the nobility had 
      access to high level musicianship in their courts).  The first public access to music on a large 
      scale was in the newly built European opera houses (the first one opened in Venice in 1637).  
      The new rising middle class of merchants and bankers took to opera, although their tastes 
      in opera were usually much different from the nobility.  But general public access to 
      instrumental music would not happen until the Classical era.   

      Of course, there was no musical recording before the 20th century.  All 16th through 19th 
      century music had to be heard live.  It was rare for a person to hear their favorite musical  
      composition more than three times in their entire life!  Since there was no recorded music, it 
      was difficult for a composer to stay popular with the general public who constantly demanded 
      new styles.  George Frideric Handel's popularity remained fairly high past his death 
      (primarily because of his Messiah).   Johann Sebastian Bach's popularity waned a couple 
      decades before his death, Antonio Vivaldi died in obscurity and poverty.



Instruments:

      In the Baroque era, large numbers of Renaissance instruments fell out of use and several 
      were transformed into our modern day instruments.  The Renaissance violin was first 
      developed c. 1530 and was increasingly improved up to Antonio Stradivari's perfecting 
     violin making between 1700 - 1720.

      The Renaissance harpsichord and the organ still dominated Baroque keyboard music.  The 
      piano was invented c. 1700 by Bartolomeo Cristofori, but its original sound quality limited 
      its use until the Classical Era (c. 1770).   Yet, some Baroque composers like Domenico 
      Scarlatti wrote some early piano music.  Today, Baroque harpsichord music is usually
      played on the piano

      Brass instruments like trumpets and horns did not have keys or valves until the Classical 
      era and therefore could only play large intervals of notes in the lower registers (like a bugle) 
      during the Baroque era.  Therefore trumpets usually played in the higher registers where they 
      could play more notes. 


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